The Mysterious Teenage Hominid

 Writing For Teens:

There was no question why I wrote YA fiction in the first place. When I got into it, it was a thrilling, lucrative and expressive category. Harry Potter was dominating the charts. The Hunger Games appeared, along with Divergent and Twilight. Writing young adult fiction then was like being on s speeding freight train which had no brakes and a throttle that only went forward.

There are no estimates of how many writers jumped on that band wagon.

I remember my first real YA book, The Girl They Sold to the Moon. That tiny tome sold six times and took the first place grand prize in a YA novel writing contest, which was sponsored by a small publisher. That wasn’t the reason I wrote it. I wrote it because I loved the characters, not the atmosphere, world or environment. Yet again, something clicked inside me. I had a handle on something. I could talk teen. Not spectacularly, but well enough to pull the wool.

Let me get something out of the way before I continue: I have a non de plume for my young adult stories–Christy J. Breedlove. There’s no mystery in changing a name for a genre. But I changed my gender. J.K. Rowling’s agent told her to give herself a neutral author name because “boys are less likely to read books written by girls.” Hence, the J.K. initials. I just took it a step further. 

I believe women can be trusted by other women to write with more emotional impact and feeling. Women don’t really have any problems reading the several male authors out there who excel in writing romance. However, women are less likely to read a romance crafted by a guy because it can’t quite reach inside them like one of their own. I hoped and prayed that if spontaneous buyers of my young adult books believed they were crafted by a gal (at first), it might go easier for me. Even men believe that gals can lay down a young adult story with more connection and honesty. I know I do. So, no gender bias meant at all. Only respect.  (And no, I don’t think I’m fooling anyone 🙂

Back on track: The teenage years are restless and oft times reckless years. They are an era in life that explores change, hopes, failures, experimentation, rebellion and growth. Especially growth. Most fundamental truisms are picked up during these formative years–rules or guidelines for life. What appeals to me so much about this time of life is that it can be so unstable. It’s a time when tragic mistakes are made–emotional upheaval is magnified. To me, this gives me a sense of freedom in exploring some deep-felt topics. Unlike an adult that might be more prone to decorum and subtly, a teen might very well blunder into a situation, causing higher consequences and repercussions. 

The exploration of the teen mind can offer a ton of latitude in subject matter–life, death, love, hatred, bullying, lawlessness, substance abuse, incest, pregnancy and even murder. The young, let’s face it, are resilient, forceful and courageous with their own convictions. They can take a hell of a lot of punishment, rebound and get their life’s compass back on direction in record time. Sometimes they fail, but the harder they fail, the harder they strive to crush the demons. 

My guilty pleasure in writing for, or about teens, is my utter fascination with their nonconformity. Looking back upon my own kid-hood, I can glimpse my errors and snippets of absolute stupidity. This stupidity allows me cartloads of humor and irony in my writing. There is nothing quite like a couple of teens going at it verbally or physically, and in many cases, only to drive a point home. There’s nothing quite like a teen hitting you smack between the eyes with blunt-force honesty. They regularly deal with each other in absolute truth. No words minced. Compared to adults, teens act; there’s no lolly gagging. We do have the quiet, shy and retiring types, but those are exceptions, to what I think is the overall demeanor.

In an action/adventure tale, or a post-apocalyptic story, I can bring teens to the edge of death several times and have them ultimately survive. Physiologically, younger adults are more fit than adults. Have you ever seen a walking antibiotic? They can suffer and endure much more abuse than an older person. I have been known to take advantage of this fact time and time again. Youth–strength–indestructibility.   

I think teen fiction offers higher stakes, loftier emotions and grander outcomes. Nowhere is YA fiction better told than in the hands of the teenagers themselves. The young set has a finger directly on the pulse of their own lifestyles. They don’t have to guess or research what they would do in any given circumstances–they know exactly the ways in which they would handle it, along with their own cultural oddities that so confuse the adults. Teens have a language all their own. You need a decoder ring to understand it. Look at their text messages–you need a cypher to crack them! Trust me, teens are not of this Earth!

As a person in my sixties, I cannot understand why I feel I was chosen to write young adult tales. Those years were some of the fondest times of my life. I don’t look back upon them with disdain. Albeit, there were many cringe-worth times. There were stage plays and scenes of stark terror. But I remember them with an awestruck gusto, a bewildering time of adventure and exploration. My over-the-top emotional writing style seems to fit right into the plots and characters. I’m always learning, because there are so many writers out there, both young and old, who are masters at expressing the teen world. 

I’m only along for the ride.

I have a lot of reviews that are about to come in for this latest book. The trickle has started. So far everything seems beyond expectations. Yet, all of these reviewers seem to be teen or twenty-something women. I can just about guarantee that if I’ve got something wrong in the text, it’s apt to be flagged. And I welcome that. It just means that I get to learn more secrets.

Christy/Chris–red-shifting outta here.

(BTW, blue shift means to come toward you. Red-shift means leaving or going away from you). 

Young Adult Series Blockbusters

I swear and, as God is my witness, I had a terrible prejudice against anyone who wrote a series, or planned to write one before their first book was even picked up. I laughed at anyone who wrote a complete series and had no agent to push it. Back in the day, series books weren’t as popular as they are now. Today, it’s almost a given that large independents and big publishers love to sell a series. Two-book, trilogies and large series packages are more popular than EVER. Multiple books are actually favored by publishers–it seems to be the advantageous way to hook  readers, build a fan base, and at the same time launch a debut author. If you’ve written a standalone today, chances are excellent that you will be asked to follow it up with a sequel or more books that belong to a series–your special universe. I was left in the dust, from my own account, all those years ago, up until fairly recently.


So, I want to formally APOLOGIZE for my narrow view and ridiculous exclamations.


I completed the first book, edited  it with my agent, and put it out on submission. Multiple offers for it came in rather quickly. A lot of offers. My agent thought we really had something and ask if I was up to writing sequels. I said that I would give it a shot and did. But I was nervous. Meanwhile my agent would hold off the buyers.

I can’t tell you what kind of hard work this project cost me. It was a mountain of writing, revising, editing and titling.I was hesitant every step of the way, wondering if all of this effort could possibly pay off. Then I realized, what did I really have to lose? I’d made them stand-alones, with only slight references to each other that could be removed very easily. So I just about guaranteed myself a possible sale–somewhere–even if it was small press. When the work was done, I was satisfied, and so was my agent.

The whole package sold to Melange Press, the young adult Fire & Ice division.

I can remember J.K. Rowling penning (starting) Chamber of Secrets before her first book was picked up. Now that’s MOXIE! Or call it blind faith. Not only that, it was her intention to write seven books! Look what happened to Twilight, Hunger Games, Wool, Divergent–they went on to success–becoming huge breakouts. 

Now that my YA trilogy is over, I mourn it. I miss my characters. Terribly so. I can’t believe that I did this, stepping up to the plate and accomplishing my most difficult writing project ever. They’re little books. They’re a family. And it just so happens that the first in the series, Screamcatcher: Web World, just went on sale two minutes ago as of this writing. The two remaining books are subtitled Dream Chasers and The Shimmering Eye. If you like teenage paranormal investigators, this just might be your cup of tea. Enjoy!